Refereed Articles and Book Chapters

• “From K-pop to Z-pop: The Pan-Asian Production, Consumption, and Circulation of Idols,” in The Cambridge Companion to K-pop, ed. Suk-Young Kim (Cambridge: Cambridge UP, 2023), 154-171.
• “Between Plastic Surgery and the Photographic Representation: Ji Yeo Undoes the Neoliberal Fantasy of Transformation,” in positions: asia critique 30.4 (2022): 705-733.
• “From Boyfriend to Boy’s Love: South Korean Male ASMRtists’ Performances of Digital Care,” in Television & New Media 23.4 (2021): 389-404.
• “When Neoliberalism and Patriarchy Conspire: Plastic Surgery in the South Korean Reality TV Show Let Me In,” in TDR: The Drama Review 64.2 (2020): 101-116.

Reviews

• “Pop City: Korean Popular Culture and the Selling of Place by Youjeong Oh,” Journal of Korean Studies 24.2 (2019).
• “K-pop Live: Fans, Idols, and Multimedia Performance by Suk-Young Kim,” TDR: The Drama Review 63.3 (2019).
• “The Theatre of David Henry Hwang by Esther Kim Lee,” Theatre Survey 58.2 (2017).

Public Scholarship

• “ASMR—Digital Intimacy and Care,” in Watch & Chill 2.0: Streaming Senses exhibition catalogue. Seoul: Museum of Modern and Contemporary Art, 2023.
• “Setting the Stage: Korean Women Artists on Performance and Beauty” in Ideas: Asia Art Archive Online Journal. September 4, 2019.
• “How ‘Gangnam Style’ Saved My Life,” in Zócalo Public Square. July 15, 2019.  
• “Interview of Valery Jung Estabrook,” in AKAA: The Archive of Korean Artists in America. April 26, 2019.
• “Yuhaksaenggwa nanmin [International Students and Refugees],” in Kyŏnggyeŏmnŭn P’eminijŭm: Cheju Yemen Nanmin’gwa P’eminijŭmŭi Ŭngdap [Feminism Without Borders: A Response to the Yemeni Refugees in Jeju]. Edited by Kim Sŏnhye. Seoul: Waon, 2019.